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CAS in the Media Arts and Sciences Media Headlines

Artists’ books on display through October in Terrell Library on Pullman campus

Kevin Haas.
Haas

Washington State University printmaking professor Kevin Haas has collected artist’s books for roughly 25 years. With each new acquisition, a unique creative exploration is revealed. For example, Margot Lovejoy’s “Book of Plagues” examines the AIDS crisis, the fear and stigmatization surrounding it, and government indifference to the epidemic, with parallels to current crises. Lukaza Branfman-Verissimo made her book “We Are All Speaking at the Same Time” during 2020, echoing the Black Lives Matter protests, to celebrate and bring awareness of the LGBTQ and black, indigenous, and people of color communities and their voices.

Other books are meant to be playful, such as Eroyn Franklin’s “Just Noise,” which illustrates the bickering, arguments, and love that are part of a relationship.

“I am still thrilled when I discover these surprising, interactive, and affordable works of art,” said Haas, a member of fine arts faculty. “Getting to experience artist’s books firsthand and for the first time can be pretty magical. We don’t usually get to hold works of art in our hands like we do with artist’s books, so the viewing experience is very personal.”

What is an artist’s book?

The term “artist’s book” refers to publications that have been conceived as artworks in their own right, Haas said. Emerging from experiments in design and publications by artists in the early 20th century, the field of artist’s books took hold in the 1960s as artists sought out alternative ways of presenting their work. Artist’s books provide opportunities for artists to explore text, images, sequence, juxtaposition, time, and interaction, creating everything from cheaply made zines and handmade books to decks of cards and other printed ephemera.

“The book format is attractive to artists, since it allows their work to be accessible to a wide audience, as well as being very affordable,” he said.

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WSU Insider

 

Emerging organizations and businesses are reworking the composition of Pullman’s visual arts scene

There’s a new picture developing of Pullman’s visual arts scene, one that adds an additional focal point besides Washington State University and its venerable Jordan Schnitzer Museum of Art.

Over the past few years, several new arts-related entities have emerged in town: the new nonprofit Pullman Arts Foundation, the arts-forward Hotel McCoy, Terracotta clay arts studio, and a new art gallery. Added to Pullman’s existing venues, these newcomers are helping highlight the college town’s evolving arts community.

Joe Hedges.
Hedges

“Part of the genesis of [Pullman Arts Foundation] was, honestly, the difficulty of creating some kind of public art project here in Pullman that connected with the Black Lives Matter movement,” says WSU art professor Joe Hedges, who co-founded the nonprofit with his wife and fellow artist, Jiemei “May” Lin.

In addition to murals at Kamiak and Jefferson elementary schools and the Palouse Discovery Science Center, the foundation also realized it could fulfill other needs for artists, arts supporters and the community-at-large, Hedges says.

“We had started to meet people that were really engaged locally and really cared about the arts,” he adds.

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Inlander

Ten seniors recognized for excellence

Each year, 10 graduating seniors from Washington State University are recognized for excellence in several areas: academics, athletics, campus involvement, community service, and visual and performing arts. Six students in CAS are among WSU’s top 10 of 2022.

The WSU Alumni Association and Student Alumni Ambassadors coordinate the 80-year tradition of honoring these outstanding students, who are nominated from across WSU’s six campuses.

A selection committee comprised of faculty, staff, and students chose the winners based on criteria that fit each category.

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WSU Insider
WSU Features

WSU Vancouver professors amplify underrepresented workers stories

Monday, as a part of the Feminist/Queer Dialogue Series, an interdisciplinary research team presented their work to a Zoom audience.

The researchers included Cassandra Gulam, associate professor of Spanish language and culture for WSU Vancouver, Harrison Higgs, associate professor of fine arts, and Maria Galindo-Cordova, WSU Vancouver sophomore humanities major.

The research hopes to amplify workers’ voices and illustrate the struggles that they faced during the pandemic. The project also raises awareness of the impact family home childcare providers played on young children’s and family lives.

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The Daily Evergreen

MFA Thesis Exhibition, Opening Reception, and Artist Talks

The Jordan Schnitzer Museum of Art WSU is proud to present the 2022 MFA Thesis Exhibition, Opening Reception, and Artist Talks. The thesis exhibition by MFA candidates will be on view from March 29–May 7, with talks given by each of the artists for Family Weekend on April 1, from 3–4 p.m. An opening reception follows the talks in the museum galleries from 4-6 p.m. All events are free and open to the public.

The MFA Thesis Exhibition is an annual showcase culminating two or more years work by the Master of Fine Arts graduate candidates. With its wide range of art-making approaches, the thesis exhibition provides a stimulating experience for faculty, students, and museum visitors. This year’s MFA thesis graduate candidates are: Sarah Barnett, Jaime Durham, Autumn Hunnicutt, Seo Ryung Park, Siri Stensberg, and Meagan Marsh Pine.

Organized by the Jordan Schnitzer Museum of Art WSU. Funding for this exhibition is provided by the Samuel H. and Patricia W. Smith Endowment and members of the Jordan Schnitzer Museum of Art WSU.

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WSU Insider