Students at Washington State University can now use a new audio lab located in Holland Library to produce podcasts or music recordings with state-of-the-art equipment and technology.
Jason Anderson, who works for the library’s systems department, collaborated with students and faculty to develop a fee proposal to fund the lab. The funds come from a student technology fee, and were awarded in 2019.
Scott Blasco, associate professor of music theory, composition and electronic music; Reza Safavi, digital media coordinator and associate professor of fine arts; and Ruth Gregory, director of undergraduate studies for the Digital Technology and Culture Program all played a role in bringing the audio lab to life.
Printmaker and sculptor Alison Saar will deliver the distinguished lecture for the Jo Hockenhull Lecture series at 4:30 p.m., Thursday Feb. 10.
Saar will discuss the connections between art and social justice as she provides an overview of her work in sculpture and printmaking for the event, organized by the Program in Women’s, Gender, and Sexuality Studies (WGSS), the Fine Arts Department, and the Jordan Schnitzer Museum of Art WSU.
The Hockenhull lecture series was launched in 1996 by the Women’s Studies Department in collaboration with the Department of Fine Arts to honor Jo Hockenhull, a WSU emeritus professor of Fine Arts who served as director of Women’s Studies for more than a decade. At WSU, Hockenhull focused on building programs and initiatives supporting diversity, the liberal arts, free speech, and critical thinking. Past lecturers have been visual artists, poets, and performance artists who have emphasized the important connections between art, social justice, and political practice. They have included artists such as Arshia Fatima Haq, Marie Watt, Alma Lopez, Faith Ringgold, Octavia Butler, and the Guerilla Girls, to name a few.
Joseph Gallivan interviews artist Noah Matteucci and gallerist Jamie Wilson about Matteucci’s show “Random 8” at Agenda Gallery.
Matteucci has covered the walls with thousands of colored squares of paper, like pixels in a glitching digital image. However, the squares are made with wood block prints using the four-color ink process called CMYK. The artist explains his position on the threshold between the digital and the analog.
During the day you can find Noah working in the Fine Arts Department at WSU Vancouver.
Vivid displays of color, shape, and beauty are popping up across Pullman, thanks largely to the talents of a group of muralists at Washington State University.
Students and faculty in the fine arts department have worked in recent months with other artists in the community to create a vibrant bouquet of public art on walls of buildings at the center of town and at the Palouse Discovery Science Center on Nelson Court. Six more murals adorn the playgrounds at two local elementary schools.
From still life realism to geometric designs, the painted walls are more than mere eye candy—they’re also teaching and learning tools for the artists and viewers, said muralist Joe Hedges, WSU associate professor of painting/intermedia and a strong advocate for art in public places.
“Public art is vital to a community. It makes a place more interesting—more colorful in many ways—and it sparks conversations between neighbors,” he said. “Projects tend to connect business owners and community stakeholders with people and ideas they may not otherwise encounter. The value is as much in the conversations and coalition building that happens behind the scenes as it is in the final result.”
Michael Holloman, associate professor of fine arts, recently was named coordinator of Native Arts Outreach and Education in the College of Arts and Sciences, with the goal of expanding arts-based experiences and learning among native and indigenous communities.
A member of the Colville/Coeur d’Alene Tribe, Holloman will work directly with the CAS Department of Fine Arts and School of Music, WSU’s Jordan Schnitzer Museum of Art and Office of Tribal Relations, as well as a number of student organizations and the tribal signatories to WSU’s memorandum of understanding with native nations. With these groups, he will develop ongoing and future arts-based relationships and programming specifically focused on engaging a wide range of communities and individuals located in Washington, Idaho and beyond.
“The arts and culture for Native American communities are so intricately linked,” Holloman said. “How this finds its way into our contemporary world of the arts, particularly in the field of digital arts and design, is fluid and natural,” he said.